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Pi's vision is to build an empathetic and connected world through theatre.

Our mission is to produce and present theatre that’s intellectually alive and emotionally charged.

The company creates social moments and community connections by producing and presenting impactful events that stimulate conversation and ideas.
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Founded in 1984, Pi is now under the leadership of Artistic and Producing Director Richard Wolfe. Pi runs Prime Placements, a mentorship program for emerging artists and cultural workers. We are committed to accessibility in our work, and support our community with discounted tickets.

Since the company’s inception, we have produced over 100 shows and events. Our peers have recognized Pi and its collaborators with 34 Jessie Richardson Awards and 116 nominations for outstanding artistic achievement in Vancouver professional theatre. Pi is a member of the Alliance for Arts and Culture, the Greater Vancouver Professional Theatre Alliance, Progress Lab, and a full member of the Professional Association of Canadian Theatres.

100+
Shows produced
34
Jessie Awards
116
Jessie Nominations
39
years of theatre

Our values

P

i Theatre is invested in the continuing work of creating an inclusive, diverse, and caring theatre. We believe we have a responsibility to reflect Canada’s diversity on stage and behind the scenes, and to that end we’re committed to the fundamental work of supporting artists, employees and audience members regardless of their race, ethnicity, gender, gender expression, sexuality, socioeconomic status, age, abilities, nationality, religion, education, and culture.

We believe there is an essential value in audience members seeing the world around them reflected onstage. We also believe that everyone should be given an opportunity to empathize and connect with experiences that are different from their own.

To stimulate those opportunities, Pi is committed to creating an equitable, and inclusive workplace environment where employees and artists feel welcome and respected.

We encourage everyone to welcome and respect the persons around them. Pi believes an inclusive theatre promotes new perspectives, opens minds and hearts, strengthens engagement, and is an important and effective path towards empathy.

Content Advisory

Our work is supported by a robust set of internal policies and embracing of best practices within our industry. If you are curious about these policies, which are the backbone of our workplace culture, please visit our "policies" page under the "info" tab.

Harrassment Policy

Pi Theatre is committed to providing a workplace free of harassment of any kind, where all individuals are treated with respect and provided equal opportunities. Pi will not tolerate any form of discrimination and we will offer support to those who are treated disrespectfully. We strive to facilitate a space where all members, patrons, artists and employees feel safe and comfortable.

Excellence

We create an environment where individuals are supported in the development of their talent with the resources they need to do their best work.

Inspiration

We are passionate and seek to fuel the imagination of artists and audiences.

Exploration

We question our assumptions, and encourage alternative approaches and perspectives.

Integrity

As a member of PACT Pi follows the guidelines and fee structures negotiated between PACT, Equity, ADC (IATSE), and PGC, providing a living wage for arts workers and staff while maintaining a safe, open and inclusive workspace. We regularly reflect on, update, and implement our EDI practices and policies.

Rigour

We build organizational capacity with thoughtful processes and procedures. We are responsive, resourceful, and innovative in realizing our vision and mission.

history


Pi Theatre was founded as Pink Ink Theatre Productions Association in 1984 by German émigré Sandhano Schultz. Incorporated in 1988, Pi quickly established a reputation for ambitious, challenging work, with innovative aesthetics and high production values. Pi’s current Artistic and Producing Director is Richard Wolfe. Under Richard’s leadership, Pi has focused on relevant and impactful programming, resulting in shows that respond directly to its mission and vision. The organization has evolved to seek out important plays from both Canada and the world stage, and to act as an artistic catalyst for the voices of a diverse range of B.C. writers and creators. Over the course of its history, Pi has centered community partnerships in its work. The company collaborates with private business, social service organizations and other cultural groups to make sure the connections we’ve established within our community grow deeper and more meaningful. Partnerships create sustainability. They also create cooperation and collaboration. Through its history, Pi Theatre has been honoured with 117 Jessie Richardson Award nominations and 36 wins for outstanding artistic achievement.

For more about our history, please visit the "Past Shows" page under the "Info" tab!

Who We Are

Our Staff

Richard Wolfe
Artistic and Producing Director
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Richard is a specialist in contemporary theatre and performance. Plays he's directed include the Canadian premieres of: Hir by Taylor Mac, The Events by David Greig, 1 Hour Photo by Tetsuro Shigematsu (now filmed for virtual screenings), Empire of the Son by Tetsuro Shigematsu, Long Division by Peter Dickinson, Genetic Drift by Amy Lee Lavoie, The Invisible Hand by Ayad Akhtar and Inside the Seed by Jason Rothery. A few other shows include: Blasted by Sarah Kane, Between the Sheets by Jordi Mand (site-specific in Vancouver and Victoria), & Terminus by Mark O'Rowe.

Richard has received six Jessie nominations for Outstanding Director, winning two, and one nomination for Significant Artistic Achievement, and has received the John Moffat and Larry Lillo Award offered to a mid-career west-coast theatre artist, and the Ray Michel Award for Outstanding Work by an Emerging Director. In all, shows he's directed have received over sixty Jessie nominations for excellence in Vancouver's professional theatre. Richard is a former president of the Literary Managers of Dramaturgs of the Americas (Canada), and a co-founder of Theatre Conspiracy. Richard earned his MFA at the University of British Columbia.

Branden Sugden
Operations Manager
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Branden is a director, actor, producer, and administrator. Hailing originally from Calgary, he has ties to several theatre companies across Western Canada including most recently serving as the Interim Managing Director at Theatre SKAM in Victoria.

Branden also sits on the board of Calgary Young People’s Theatre.He earned a BFA in Theatre from the University of Victoria where he studied directing for the stage and adapting theatre to digital media.

He is a member of the Periluna Collective, the team behind Hey There, Mr. Moon, a serialized fiction podcast.Branden is passionate about innovative ways of telling stories and harnessing the immersive power of live theatre.

Mary Anne McAllister
Social Media Coordinator
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Terry Wong
Graphic Designer
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Terry Wong is inspired by commercial designers and illustrators from the 40s, 50, and 60’s. Wong illustrates characters that delight, amuse, and posture, while his design work focuses on a clean and clear design aesthetic. After working at a number of Vancouver design firms Terry now works freelance. His illustrations and design work are sought by publishers, magazines, news outlets, and performers across the globe.

Pi Theatre

Artistic Associates

No current Associates at Pi Theatre
Who We Are

Our Board

President - Darren Mercer

Vice President - Catherine Ballachey

Treasurer - Craig Boyko

Secretary - Caleb Dyks

Director - Leslie Palleson

Our Board is amazing, and you can be part of it!

We are looking for new board members who are interested in working with Pi.

Requirements of Board Membership include:

1. Commitment to the work of Pi Theatre.

2. Knowledge and skills in one or more of board governance, marketing, finance, programs, personnel or advocacy.

3. Willingness to serve on one committee.

4. Attendance at scheduled board meetings.

5. Attendance at Annual General Meetings.

6. Attendance and support of special events including productions.

7. Support of and participation in fundraising events.

If you would like more information, please contact us.